For the first time, I’ve been granted press accreditation to the Milano Film Festival – which is becoming one of the most prestigious European film festival. With a selection of 27 feature-length films and over 41 short movies, the main theme of this year’s MFF is “coming-of-age” stories, told in every kind of genre you can think of: on this website, you’ll find reviews of every horror-related film at the festival, plus a few articles on other movies that you’ll find in the Beyond Horror section of the website. This is my review of Swallow (Carlo Mirabella-Davis, USA/France, horror).

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The 11th edition of Grimmfest, one of the UK’s leading horror, cult and genre film festivals, committed and dedicated to sharing great movies from both new and established filmmakers from the world of genre cinema, will be held in Manchester (England) from the 3 – 6 of October. Grimmfest prides itself on premiering the very best in new horror, cult, extreme fantasy and sci-fi movies and, for 2019, they really went out of their way to present an incredibly solid line-up.

With Roberto De Feo’s The Nest (Il Nido) being one of the most positive surprises in 2019, in terms of horror cinema, I felt compelled to delve in-depth into this Italian horror film. This article will feature major spoilers, so I’d recommend reading my spoiler-free review of the movie if you don’t want your experience ruined. You’ve been warned!

For the first time I’ve been granted press accreditation for the Toronto International Film Festival®, recognised as one of the largest and most prestigious film festivals in the world. So, I had the opportunity to watch and review a bunch of movies. This is my review of The Platform (Spain, Galder Gaztelu-Urrutia, horror/sci-fi/thriller; original title: El Hoyo).

For the first time I’ve been granted press accreditation for the Toronto International Film Festival®, recognised as one of the largest and most prestigious film festivals in the world. So, I had the opportunity to watch and review a bunch of movies. This is my review of TIFF exclusive SYNCHRONIC (USA, Justin Benson and Aaron Moorhead, drama/horror/sci-fi).

For the first time I’ve been granted press accreditation for the Toronto International Film Festival®, recognised as one of the largest and most prestigious film festivals in the world. So, I had the opportunity to watch and review a bunch of movies. This article features short reviews of Color Out of Space (USA, Richard Stanley, horror/sci-fi) and The Vigil (USA, Keith Thomas, horror).