Twin Peaks is, arguably, the best TV show ever made. Mind you, it’s not my favourite – even though season 2 is among the closest ones to my heart – but its influence on quality TV shows is undeniable. As undeniable are its own values.
At the beginning of the 90s, the first two seasons of this iconic TV show had revolutionised the language of modern TV series with the story of FBI Special Agent Dale Cooper (Kyle MacLachlan) investigating the murder of homecoming queen Laura Palmer (Sheryl Lee) in the fictional town of Twin Peaks, Washington.
The end is coming! No, don’t worry, I’m only talking about the end of 2017, which is quickly approaching and… there are still so many horror flicks to check out and review!
Therefore, I decided to give you my brief take on three films that were recently released and might seem appealing to you. Bear in mind, these titles are all non-American (but only for Resurrection you will need to read subtitles), which is what has driven me to watch them in the first place.
Once upon a time, M. Night Shyamalan was the most promising director in Hollywood, not just a meme to make fun of.
Mostly, said reputation came from a masterpiece that blew everybody’s mind in the late 90s: The Sixth Sense.
On one hand, I’m glad to conclude this six-month long series with a truly great film; on the other, though, reviewing one of my all-time favourite movies is a challenge that both stimulate and scare me.
The Sixth Sense tells the story of a broken children psychologist – Malcolm Crowe, played by Bruce Willis – who tries to help grade schooler Cole Sear (Haley Joel Osment, nominated at the Awards for his supporting cast role) to overcome what appears to be some serious psychotic issue.
Before “post horror” became a thing (is it really?), M. Night created a universe that gains credibility and strength from its combination of horror, drama, thriller and mystery. The balance between these sub-genres, perfectly blended together, makes for a unique viewing experience that has no precedes.
Only a few movies on this long-lasting list are ground-breaking enough to having given popularity to an entire sub-genre. One of them is The Blair Witch Project, responsible for the endless stream of found-footage flicks that came out ever since 1999. Thank you *insert sarcasm here*.
This entirely shot on camera, late 90s film is also famous for its lack of conventional plot and proper action, which makes its success and great receptions even more amazing.
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