For the first time I’ve been granted press accreditation for the Toronto International Film Festival®, recognised as one of the largest and most prestigious film festivals in the world. So, I had the opportunity to watch and review a bunch of movies. This is my review of TIFF exclusive SYNCHRONIC (USA, Justin Benson and Aaron Moorhead, drama/horror/sci-fi).

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For the first time I’ve been granted press accreditation for the Toronto International Film Festival®, recognised as one of the largest and most prestigious film festivals in the world. So, I had the opportunity to watch and review a bunch of movies. This article features short reviews of Color Out of Space (USA, Richard Stanley, horror/sci-fi) and The Vigil (USA, Keith Thomas, horror).

For the first time I’ve been granted press accreditation for the Toronto International Film Festival®, recognised as one of the largest and most prestigious film festivals in the world. So, I had the opportunity to watch and review a bunch of movies. This article features my reviews of three short films: A Fool God (Hiwot Admasu Getaneh, France, drama, 18’15”), Billy (Zachary Epcar, USA, horror, 8’01”), Daughter (Daria Kascheeva, Czech Republic, drama, 14’44”).

For the first time I’ve been granted press accreditation for the Toronto International Film Festival®, recognised as one of the largest and most prestigious film festivals in the world. So, I had the opportunity to watch and review a bunch of movies. This article features two short reviews of To the Ends of the Earth (Kiyoshi Kurosawa, Japan/Uzbekistan, drama/sci-fi; original title: Tabi no Owari Sekai no Hajimari) and Resin (Daniel Borgman, Denmark, horror; original title: Harpiks).

For the first time I’ve been granted press accreditation for the Toronto International Film Festival®, recognised as one of the largest and most prestigious film festivals in the world. So, I had the opportunity to watch and review a bunch of movies. This article features three short reviews of Hearts and Bones (Australia, Ben Lawrence, drama/thriller), Saint Maud (Rose Glass, United Kingdom, horror), Saturday Fiction (Lou Ye, China, drama/history).

The Toronto International Film Festival®, recognised as one of the largest and most prestigious film festivals in the world, is held this year from the 5th to the 16th of September.

For the first time, Horror World & Reviews has been granted press accreditation to TIFF, which means I’ll keep you updated every day (from today until the day after the festival ends) about the movies I watched: I’ll post reviews, first impressions, news and other fun stuff for lovers of cinema and horror flicks. In this regard, make sure to like the official Horror World & Reviews Facebook Page and to follow me on Twitter: there’s a ton of work to do, so I might post on social media instead of sharing articles.