For the first time, I’ve been granted press accreditation for the Milano Film Festival – which is becoming one of the most prestigious European film festivals. With a selection of 27 feature-length films and over 41 short movies, the main theme of this year’s MFF is “coming-of-age” stories, told in every kind of genre you can think of: on this website, you’ll find reviews of every horror-related film at the festival, plus a few articles on other movies that you’ll find in the Beyond Horror section of the website. This is my review of The Sharks (Lucia Garibaldi, Uruguay/Argentina, drama; original title: Los Tiburones).

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For the first time, I’ve been granted press accreditation for the Milano Film Festival – which is becoming one of the most prestigious European film festivals. With a selection of 27 feature-length films and over 41 short movies, the main theme of this year’s MFF is “coming-of-age” stories, told in every kind of genre you can think of: on this website, you’ll find reviews of every horror-related film at the festival, plus a few articles on other movies that you’ll find in the Beyond Horror section of the website. This is my review of We Are Little Zombies (Makoto Nagahisa, Japan, comedy/drama/musical).

For the first time, I’ve been granted press accreditation to the Milano Film Festival – which is becoming one of the most prestigious European film festivals. With a selection of 27 feature-length films and over 41 short movies, the main theme of this year’s MFF is “coming-of-age” stories, told in every kind of genre you can think of: on this website, you’ll find reviews of every horror-related film at the festival, plus a few articles on other movies that you can find in the Beyond Horror section of the website. This is my review of Nimic (Yorgos Lanthimos, USA/UK/Spain, drama).

The 24th edition of the Milano Film Festival will be held in Milan, Italy, from the 4th to the 10th of October. For the first time, the Milano Film Festival – which is becoming one of the most prestigious European film festival – will entirely take place in The Space Cinema Odeon, the oldest theatre in Milan and one of the oldest in Italy, and it will benefit from the artistic direction of Gabriele Salvatores (Mediterraneo, 1991), a filmmaker regarded as one of the best European directors of our time.

For the first time I’ve been granted press accreditation for the Toronto International Film Festival®, recognised as one of the largest and most prestigious film festivals in the world. So, I had the opportunity to watch and review a bunch of movies. This article features my reviews of three short films: A Fool God (Hiwot Admasu Getaneh, France, drama, 18’15”), Billy (Zachary Epcar, USA, horror, 8’01”), Daughter (Daria Kascheeva, Czech Republic, drama, 14’44”).

For the first time I’ve been granted press accreditation for the Toronto International Film Festival®, recognised as one of the largest and most prestigious film festivals in the world. So, I had the opportunity to watch and review a bunch of movies. This is my review of TIFF exclusive Bring Me Home (South Korea, Kim Seung-woo, drama/mystery/thriller; original title: Na-reul cha-ja-jwo).

For the first time I’ve been granted press accreditation for the Toronto International Film Festival®, recognised as one of the largest and most prestigious film festivals in the world. So, I had the opportunity to watch and review a bunch of movies. This article features two short reviews of To the Ends of the Earth (Kiyoshi Kurosawa, Japan/Uzbekistan, drama/sci-fi; original title: Tabi no Owari Sekai no Hajimari) and Resin (Daniel Borgman, Denmark, horror; original title: Harpiks).

For the first time I’ve been granted press accreditation to the Toronto International Film Festival®, recognised as one of the largest and most prestigious film festivals in the world. So, I had the opportunity to watch and review a bunch of movies. This is my review of Dogs Don’t Wear Pants (Finland, J-P Valkeapää, drama/comedy/thriller; original title: Koirat eivät käytä housuja).