The Void is a Canadian low-budget horror movie directed by Steven Kostanski and Jeremy Gillespie. Kostantski has lately made a name for himself due to Astron-6, a small company known for producing 80’s-centric, independent movies that often combine horror with comedy and feature monsters and supernatural creatures.
The Void instead, is a departure from the usual comedic tone, being a straight-up horror film where gore and blood are utilised to scare more than for pure entertainment’s sake.
The plot revolves around a police officer who, backed up by a group of random people, has been trapped in a hospital by a gathering of hooded cultists after rescuing a severely wounded dude who survived a bloody massacre. The group soon discovers that the hospital has been inhabited by grotesque creatures, which the mysterious cult has something to do with.
I had to re-watch it twice in order to write this review, the reason being the fact that The Void has received a quite good critics consensus, despite making me rather disappointed and indifferent. After a second view, I stick to my opinion, here’s why.
Although the movie presents itself as nothing more than an 80’s practical monster movie exploitation, it reminds me of a rip off from Event Horizon (1997) and John Carpenter’s The Thing (1982). Unfortunately, The Void hasn’t got the same claustrophobic atmosphere of the Paul W. S. Anderson’s movie nor the impact or the amazements of Carpenter’s masterpiece.
Even though I can’t help but respect the effort put into the practical effects of this flick, the use of colours, lighting and camera work make them displeasing, not to say frustrating. Indeed, the stroboscopic lights and the shaky-cam make for a nauseous experience, where the viewers can’t enjoy the scenes as they should. After all, gore and violent killings are what this movie is all about.
Yet, the characters don’t help the script – which, by the way, is quite dull and nonsense as well – by providing over-the-top, unreliable performances, also affected by poor cast choices. Therefore, an already bad writing is worsened by characters that are everything but compelling, especially in regards to the lead actor played by Aaron Poole.
Despite being slightly off-putting and even scary at times, The Void overly relies on gore for the sake of being gory and gruesomeness for the sake of being gruesome. All in all, it’s a bloody mess where even the good sequences get ruined by the poor direction and cinematography.
In addition, everything looks generic and bland, from the photography to the acting, from the look and feel to the score. In general, this is a big missed opportunity; much more could be done with a claustrophobic location, a creepy cult and a terrorising creature that develops from human bodies.
Although I’m not going to spoil the ending, I must say it looks dumb and unnecessarily open to interpretations. Such a cheap movie, with no room for deeper meanings and further evaluations, should have ended with a blast, in an over-the-top, amazingly exaggerated way – à la Braindead (1992), for example.
I sincerely suggest not to see this flick, it’s not worth your time and money. Nevertheless, if you want to give it a chance because nearly everybody seems to enjoy it, go ahead, it can’t harm. Cheers!