Ladies and gentlemen, I present you one of the biggest marketing gimmicks, one of the most outstanding examples of manipulation towards film audience in cinema history: Death House.

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The most anticipated horror movie of 2018 for many moviegoers and the reason why I reviewed every single Halloween flick: it’s finally time to talk about the new Halloween film, directed by David Gordon Green, that erased all the other sequels to tie the story of Micheal Myers to the events in John Carpenter’s original masterpiece.